Sewing

July 13, 2008

More Book Projects and a Big THANK YOU

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Here's a little sneak peek at two projects for another book.  I also want to give a huge thank you to Anne and Marianne at Quilt Arts Online who, when I realized I didn't have the Joel Dewbery Aviary fabric I needed for one of these projects, went out of their way to ship it to me overnight.  (Pssst. . . They are currently preselling Amy Butler's new home dec line and also sell Joel Dewberry's Ginseng and many other cool fabrics, including Kokka, by the fat quarter.)

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As always, Maeby likes to rest on my sewing machine.  She's cute, but not all that helpful.

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July 09, 2008

Octopus Baby Quilt & Applique Tutorials

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These applique patterns are now available for free download at Sew, Mama, Sew.  Enjoy!  If you're interested in a lengthy explanation of how I make machine appliques, you can also check out my earlier article here. 

These bags are just simple linen with linen handles threaded through large eyelets.  The patchwork strip is Cake Rock Beach.  The appliques are made with Kona cotton.

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And here's a baby quilt made with the Cake Rock Beach fabric, white Essex linen/cotton blend (the best stuff ever) and more Kona cotton appliques.  The Cake Rock Beach fabric is lovely, but it was challenging to quilt with.  I really wanted to use the large dot print, but it just took over the top, so I unpieced all the blocks and used the one with the botanical drawings instead.  It may not look like it, but that print had to be paintstakingly fussy cut (also for the binding) since the images are pretty far apart.  The fabric is gorgeous though and that solid teal from the Net of Jewels line really sets it off.  For some reason, I'd gotten the impression from what I'd read online that Net of Jewels was shiny.  It isn't.  It's really beautiful stuff.  It's one of those fabrics that has a different color weave going in one direction  (I know there's a proper way to describe this, but it's escaping me now.)  Purlsoho has a fat quarter pack of the full series that I'm seriously considering. 

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The freemotion quilting worked really well with the watery prints!

2636943757_bf39890bd3I usually use Minky on the back of baby quilts, but I just didn't want to introduce a synthetic fabric here.  With the Cake Rock Beach prints and the linen blend and all, I decided a white cotton chenille would look better.  I put it on the same way I would a Minky back.

July 06, 2008

Vintage Sheet Project 1: Workbaskets

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I really like the word workbasket.  I'm not actually sure it's a word, but it seems like women in classic literature often have them.  Maybe it's really work basket, but I like it better as a single word.  If you too need a place to place to tuck your embroidery project while relaxing in the drawing room (the groovy Brady Bunch drawing room) then this is the project for you.    

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First, you'll need a basket with straight sides.  I found mine at Joann.  Baskets made of soft fibers will make your work easier, since you can sew right through them.  You'll need to determine your basket's measurements before you cut your fabric.  My basket is 11.5" wide, by 5.5" tall, by 7.5" deep.

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You'll need two fabrics, which I'll refer to as your "main print" and your "accent print."  In this case, I used pieces of vintage sheets.  (The one on the left is a my main print and the one on the right is my accent print.)  You'll be making two panels, each with a handle, that will be sewn together along the sides to form a tube that you'll attach to the basket.  Use the formulas below to calculate what size pieces you'll need:

To determine the width of your panels, add one inch to your basket's width plus your basket's height.  My panels are 20" wide (1" + 11.5" + 7.5").  Cut two strips from your accent print that are 2.5" by whatever width you've just calculated.  (In my case, that's 2.5" x 20".)  The pieces you cut from your main print will be this same width by however tall you want to make them.  For a basket with similar proportions to mine, I suggest making these pieces twice the basket's height.  In my case, the pieces cut from my main fabric are 11" x 20" (11" being 2 x 5.5").

For your handles, you'll need two strips of your accent print that are 3" wide by however long you'd like them to be.  For a basket with similar proportions to mine, I suggest making them three times the basket's height.  In my case, that's 3" by 16.5" (3 x 5.5").  Reinforce the handles with lightweight fusible interfacing.

You'll also need: hand sewing needles; one package medium rick rack; twill tape, ribbon or cord for drawstring; four large buttons and matching embroidery floss; disappearing ink marker; and white Perle cotton floss.  Needle-nose pliers may be helpful, but are not essential.

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My baskets came with ugly liners, which i removed.  If your basket has liners that you'd like to re-use, detach them from the top of the basket, but leave them attached to the bottom of the basket (so they look a little like the picture below).  You can then reattach them to the top of the basket when you're done adding the drawstring panels. 

I decided to make some quick liners from a single piece of white linen.  If you'd like to do the same, start by measuring the interior dimensions of your basket.  They will be slightly different from the exterior dimensions.  My basket's interior dimensions are 11" wide by 5" high by 7" deep.  The width of your lining panel will be interior width, plus interior depth, plus 1".  (In my case, 11" + 7" + 1" = 19")  The height of your lining panel will by two times height, plus depth, plus 2".  (In my case, 10" + 7" + 2" = 19")

Fold your lining panel in half, width-end to width-end and stitch both sides together using a half inch seam allowance.  Clip the bottom corners, open up the seams and press them flat (top left).  Open up the lining (top right) bringing each corner to a point.  Use a quilting ruler to measure up the seam by half the basket's interior depth measurement.  (3.5" for me.)  Use a disappearing ink marker to draw a straight line across the point, pin and stitch along the marked line.  (This line should be the same length as your interior depth measurement.)  Repeat on the other corner.  Trim away excess fabric about half an inch from each seam (lower left).  Place the lining in your basket to verify fit.  Your lining should be a bit taller than your basket.  Fold it toward the outside until it is the proper height and press in place (lower right).

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At this point, I attached my lining to the bottom of my basket by piping hot glue onto the seam allowances and pressing it into place with my fingers.  The top of the lining will be secured once the drawstring panels are sewn onto the bag.  Now, on to the fun stuff! . . .

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Make handles:  Fold your handle pieces in half, long sides together and press.  Open up, press both sides to the center, refold in half, and stitch along both long edges (upper left).  Lay one of your main fabric panels on your work surface with one of the wide edges facing toward you .  Measuring along this wide edge, use your disappearing ink marker to indicate the center point.  From this point, measure and mark 3" to the left and 3" to the right.  Taking one of your handles, pin one end to the left point and one end to the right point.  Tack the handles to the panel using a zig-zag stitch (upper right).  With right sides together, pin your 2.5" wide strip of accent fabric your main fabric panel.  Use a half inch seam allowance to sew the two pieces together, securing the handle in the process.  Press handle and seam allowance toward the accent strip (lower left).  Stitch a row of rick-rack over the seam you just sewed (lower right).  Repeat the last three steps to make your second panel.

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With right sides together, pin together the sides of your finished panels.  Use your disappearing ink marker to mark 2" from on one of the two sides.  (It doesn't matter which.)  Using a half inch seam allowance, stitch from the mark you've just made to the bottom (top left).  Stitch the entire other side.  Press open both seams (top right).  Now turn your seam allowances under, press and stitch in place (lower left).  This will keep the inside of your drawstring panels from having any raw edges.  Make the drawstring casing.  Fold down the top edge by about a quarter inch, and then fold again by about one inch.  You don't need to hit an exact measurement, so long as you're consistent and your drawstring will fit.  The 2" space where you didn't sew the panels together will become the drawstring opening.  Once you've pressed the casing in place, stitch around the entire thing along the bottom edge of the casing, backing up to and reinforce the opening.

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You should now have a tube of fabric with handles, a drawstring casing and a raw edge along the bottom.  Press this raw edge under by a scant half inch (top left).  Now it's time to attach the fabric to the basket.  Starting from the bottom of the basket, and with the bottom edge of the fabric tube (which has not yet been turned right-side-out) slide the fabric onto the basket (top right).  Gently shift the fabric, centering side seams with the center of the basket's sides and aligning the folded bottom edge about 3" from the top of the basket.  Once you're satisfied with the placement, open up the folded edge and secure fabric to basket using pins (lower left).  Using Perle cotton, stitch fabric to basket along this pinned, folded line, removing pins as you go and keeping your stitches about 1cm each (lower right).

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When you're through stitching, gently turn the fabric right-side-out, pulling it toward the top of the basket (top left).  Using embroidery floss, securely sew one button at the base of each handle, making sure your stitches go all the way through to the inside of the basket and back.  It may be helpful to use needle-nose pliers to pull your needle through the fabric, rick rack and basket layers (lower left).  Thread your drawstring through the casing (lower right) and finish the ends as desired.  If you added lining, now is the time to go back and glue or stitch the top edge in place.

2642651129_4c544546a2Because these are workbaskets, I made little pincushions to match each one.  They're made from a simple four patch block (2.75" squares), a white linen back and bamboo fill.  I finished them each with a vintage button.

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If you make one of these, I hope you'll consider posting a photo in my Flickr Pool!

June 22, 2008

Pink Leopard Print

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Here's the baby quilt I made for Poppy, twin sister of Gus, whose giraffe quilt I finished last month.  

Last week, I came across these blocks and, since they were the same configuration as the blocks on Gus' quilt, I decided to use them to make Poppy's.  I thought it might be kind of fun to back hers in an animal print too, so I pulled out a piece of pink leopard print Minky and was surprised to find that it didn't look all that bad with the blocks I'd made.

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The pink leopard Minky actually came from my mother, who had ordered it accidentally a couple of months ago.  (She ordered it for this quilt thinking it was leopard-color.)  I was concerned that it might be "a bit much" with all the other prints . . .and it kind of is, but I still like the way it looks.  The kitty on the front is made with a wool blend felt.  I went back and forth on the binding color, but eventually decided on soft pink because I thought the leopard print was bold enough without a high-contrast binding.

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I quilted Poppy's quilt in the same pattern as Gus', but the quilting doesn't look as nice.  It's just much, much easier to see the wonkiness of my quilting lines on the white Kona cotton than on all the busy prints on Gus' quilt!

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So, here they are together.  I'm pretty happy with how they came out and, if nothing else, I feel like I can safely say that I'm one of the only people to pair some of these quilting fabrics (particularly Denyse Schmidt's prints) with fuzzy pink leopard print.  At least I can say that's an accomplishment!

June 14, 2008

Sneak Peek

The original version of this post was mysteriously "eaten" by Typepad.  The post below is my attempt to recreate it.  (At least this time I used the correct version of the word peek.)

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Here's a sneak peek at the two projects I sent off today for the Pillowcase Challenge book.

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I had originally intended to do a different style of quilting on this one, but changed my mind about halfway through.  Although I adore the finished product, picking all the original quilting out and then steaming the fabric to get rid of holes was not a fun way to spend 12 hours!

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You may recognize this bottom project.  I was excited to find the yellow gingham pillowcase for it and I love the way it looks with the chocolate rick rack.

Anyway, here they are -- my first book projects.  Finished just in time to be driven out to the airport mail depot to meet the deadline for overnight delivery!

June 08, 2008

Birthday Quilt for Sarah Jane

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I finished this quilt yesterday for my youngest sister's birthday.

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Here's a full view.  I used bamboo batting which is, pretty much, the best thing ever. It was super-soft when I brought it home and even softer after I washed it. 

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I made three little felt bird appliques to match the bird in the Botanical Pop fabric and scattered them around the quilt.

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This is not a very big quilt, but it's the largest I've ever quilted allover in a free-motion pattern.  (My shoulders are sore!)  If I had it to do again, I would probably have used light gray instead of white thread.  I'm not crazy about the way the white looks on the dark gray binding.

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The back is made from some yardage in another Botanical Pop print with a pieced strip down the middle made from some of the leftover scraps from making the front.  (You can see a puffy, unquilted space in the foreground left from one of the bird appliques.)

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As you can see from the photos, my cats were big fans.  Thankfully, Sarah has three cats of her own, so the cat exposure shouldn't be an issue. 

May 19, 2008

Patchworks in Progress

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I finally used my Botanical Pop fabric to make a quilt top.  I used the new pattern I've been fine-tuning, and I'm really pleased with the results.  The sashing is made from a dark gray chambray-like shirting fabric.  (I actually bought the fabric a long time ago to make a shirt from one of Simplicity's Built by Wendy patterns, but it was too perfect for this quilt, so I guess I now need to find something else to use with that pattern!)

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Here's a full shot.  When I have a chance, I'm going to make this up again with lighter colors and linen sashing.

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In other exciting news, I received my Summer Skirt Sheet Swap package last week.  Aren't they great?  I especially love the one on the far left.  (Thanks, Regina!)  I'm hoping nobody is going to be too mad at me if I use these to make something other than skirts!

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I also spent a lot of time this weekend cutting.  Here are the pieces of what will be a pillowcase quilt with white linen sashing.  (You'll have to wait for the Pillowcase Challenge book to see the final product!)

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And here's another one I'm making with the same pattern -- this time with madras and natural linen.  I'm going to be busy, busy, busy working on quilts this week and probably won't have a chance to post again until next Monday.  Happy sewing/crafting to everyone in the meantime!

May 11, 2008

Wristlet Mania

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I just finished a bunch of wristlets and wanted to show them off.

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Made with, from left to right: 1) Jackie Shapiro's Botanical Pop with red satin, 2) Alexander Henry Noguchi and Necco with black satin, 3) Alexander Henry butterfly rint and Denyse Schmidt Katie Jump Rope basketweave print,

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4) Jennifer Paganelli's Bell Bottoms & Girlfriends with chocolate satin, 5) Amy Butler's Nigella and Lotus with teal satin, 6) Michael Miller Ginger Blossom with Kaufman floral with kiwi satin,

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7) Kaufman Origami Flower with Bell Bottoms check with turquoise satin, 8) Amy Butler's Midwest Modern with aqua satin, and 9) Amy Butler's Midwest Modern with cornflower satin.

(My lawn somehow changed color for this photo!)

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Here's a shot of the quilted satin backs. . .

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. . .and here they are all lined up.  I love making wristlets!

May 08, 2008

Pattern Questions

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I wanted to take a minute to answer a couple of questions that were asked about the "Paper or Plastic?" pattern/tutorial.

How long does it take to make?  It takes me less than an hour to make the Plastic version and about an hour and a half to make the Paper version.  I would imagine it would take anyone else (i.e. anyone who didn't make up the pattern) a little bit longer, but they're both pretty basic designs.  The Plastic version is slightly easier than the Paper version, but I wouldn't say that either project is particularly challenging.

Are pattern pieces included?  Much like my other tutorials, this one doesn't use pattern pieces, but provides a list of the different sized pieces you'll need and from which fabric they need to be cut.  It's been my experience that, for a project like this where all pieces are rectangular, rotary cutting is considerably more efficient than using patterns.   

Can you really use the bags to carry your cat?  That depends entirely upon your cat's level of cooperation.  My cat doesn't like to be carried -- she just likes to sleep in the bags.

May I sell bags made with this pattern?  Unfortunately, no.  I realize these are sort of generic bag styles, but I want to keep "not for commercial use" consistent across all my work.  There's big IF though.  IF you want to sell these for a non-profit event (school bazaar, church fundraiser, etc.) please contact me. 

Please let me know if you have any other questions and I'll add the answers to this post.

May 07, 2008

Paper or Plastic?

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Just in case anyone is interested, I wanted to announce that my first "for sale" pattern/tutorial is now available in my Etsy shop.  It's called "Paper or Plastic?" and includes directions for making two styles of grocery bags: the plastic-style bags pictured above. . .

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. . .and these paper-style bags.  This is my first attempt at selling a pattern I've made, so I'm a little nervous.  We'll see how this goes! 

Now Available


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